The British as Art Collectors
From the Tudors to the Present
James Stourton and Charles Sebag-Montefiore
- Provides a comprehensive survey of British art collectors down the centuries
- Widely acclaimed upon publication as the best book yet on its subject, and set to be the standard account for many years to come
- Features over 300 illustrations, including some of the greatest works from British collections
To see the great art galleries, stately homes and museums up and down Britain today is to witness the rich story of the British as art collectors, a narrative that mirrors the history of the country. In this remarkable new book, James Stourton and Charles Sebag-Montefiore present a comprehensive survey of British art collectors down the centuries. The major collecting landmarks covered include Henry VIII, who harnessed the arts in the service of the crown, Charles I and the Whitehall Circle, the Grand Tour and the country house boom, the bonanza created by the Napoleonic Wars and the Industrial Revolution, French taste, the collecting of Spanish art, the passion for Florence, the 19th-century heyday for the creation of museums, the private collectors who sparked the belated British love affair with Impressionism, the State’s role in patronage and collecting after World War II, and the manner in which London has recently become a metropolis of contemporary art. Yet the authors’ strengths lie not only in these grand themes, but also in their mastery of detail through the different eras. They write with equal authority about the royal patronage and collecting of the Tudor period, with which they begin, and the collectors of today. Includes over 300 illustrations, including many of the greatest works of art to have featured in British collections.
James Stourton was Chairman of Sotheby’s UK until 2012. He is the author of Great Collectors of Our Time and Great Smaller Museums of Europe (both Scala) and frequently writes on the history of collecting. Charles Sebag-Montefiore has spent 40 years creating the definitive library on British patronage and collecting, a unique resource that has enabled the research for this book. He is a Director of Ludgate Investments Ltd and other companies and Treasurer of the Friends of the National Libraries, the Friends of Lambeth Palace Library, the Walpole Society and of other charities. He was a Trustee of the National Art Collections Fund between 2000 and 2011.